2022

• 04.05.2022

  Ohne Überwältigung: Rachmaninov: Liturgy of St. John Chrysostom

  (Dr. Matthias Lange, Klassik.com)
• 02.05.2022

  Estonian Music Days 2022 (Part 2)

  (5against4.com)
• 15.04.2022

  Hiljaisuus-konsertti kutsui pohtimaan kärsimyksen vaikutusta mieleen ja kehoon

  (Hannu-Ilari Lampila, Helsingin Sanomat)
• 28.03.2022

  Sounds of Estonia, Kings Place review – one of the world’s great choirs on spellbinding form

  (Sebastian Scotney, TheArtsDesk.com)
• 28.03.2022

  The Deer’s Cry: The Estonian Philharmonic Chamber Choir At Kings Place, London

  (Steve Whitaker, Yorkshire Times A VOICE OF THE FREE PRESS)
• 12.02.2022

  The Estonian Philharmonic Chamber Choir and the Flanders Symphony Orchestra tour Belgium and Paris

  (Silver Tambur, Estonian World)

2021

• 29.11.2021

  Alfred Schnittke, Arvo Pärt

  (Carme Miró, Sonograma Magazine)
• 26.09.2021

  Die neue Tonhalle-Orgel beherrscht Solokonzerte ebenso wie den Sechseläutenmarsch

  (Thomas Schacher, Neue Zürcher Zeitung)
• 22.09.2021

  Sumptuous performances of Schnittke and Pärt from the Estonian Philharmonic Chamber Choir

  (David Truslove, Opera Today)
• 06.09.2021

  Tõnu Kõrvits. You Are Light and Morning

  (Classica)
• 30.08.2021

  Tõnu Kõrvits’ album “You Are Light and Morning” – Les chocs du mois

  (Cecile Cheraqui, Classica)
• 24.08.2021

  in Aix-en-Provence, Kaija Saariaho plays with “innocence” in a moving masterpiece

  (Archyde)
• 17.08.2021

  Innocence (Festival d’Aix-en-Provence)

  (Clive Paget, Limelight Magazine)
• 06.08.2021

  LIVE: Veljo Tormis’ Estonian Calendar Songs – Tõnu Kaljuste and the Estonian Philharmonic Chamber Choir

  (Estonian World)
• 06.08.2021

  Aix-en-Provence saw the premiere of Kaija Saariaho’s engrossing, thought-provoking commentary on gun violence and much else

  (Jim Pritchard, Seen and Heard International)
• 05.08.2021

  Saariaho’s opera Innocence is touching and gripping

  (Harri Kuusisaari, Finnish Music Quarterly)
• 02.08.2021

  Die Vergangenheit ist nicht vergangen

  (Joachim Lange , Online Musik Magazin)
• 26.07.2021

  The Sublime Terror of Kaija Saariaho’s “Innocence”

  (Alex Ross, The New Yorker)
• 22.07.2021

  Saariaho Opera Probes The Tragic Resonance Of Massacre At School

  (David Patrick Stearns, Classical Voice North America)
• 17.07.2021

  Festival d’Aix-En-Provence 2021 Review: Innocence

  (Alan Neilson, Opera Wire)
• 13.07.2021

  Innocence at the Aix Festival

  (Michael Milenski, Opera Today)
• 13.07.2021

  A Festival Has a Monumental Premiere (and Some Other Operas, Too)

  ()
• 13.07.2021

  Living with Trauma: Innocence at the Festival d’Aix-en-Provence

  (Opera Traveller)
• 08.07.2021

  Innocence à Aix-en-Provence : Saariaho cultive le secret

  (Romain Daroles, Bachtrack)
• 07.07.2021

  Review: A Composer Creates Her Masterpiece With ‘Innocence’

  (Zachary Woolfe, The New York Times)
• 06.07.2021

  Kaija Saariaho se joue de l’« innocence » et signe un chefd’oeuvre

  (Marie-Aude Raux, Le Monde)
• 05.07.2021

  Innocence de Kaija Saariaho, un drame sublime

  (Christophe Candoni, Sceneweb)
• 05.07.2021

  Le choc d’« Innocence » à Aix-en-Provence

  (Philippe Venturini, Les Echos)
• 04.07.2021

  Trilleri, triumfi ja läpimurto: Kaija Saariahon ja Sofi Oksasen mestariteoksen suurin yllätys on 25-vuotias Vilma Jää

  (Vesa Siren, Helsingin Sanomat)