{"id":8615,"date":"2016-05-20T17:42:09","date_gmt":"2016-05-20T14:42:09","guid":{"rendered":"https:\/\/www.epcc.ee\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death-2\/"},"modified":"2016-05-20T17:42:09","modified_gmt":"2016-05-20T14:42:09","slug":"review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death","status":"publish","type":"post","link":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/","title":{"rendered":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death"},"content":{"rendered":"<p>Said to be the most performed among today\u2019s living composers, a composer whose music is touched with sonic purity and infused with beguiling spirituality, Arvo P\u00e4rt is revered as an agent of escape.<\/p>\n<p>When it comes to the favorite composer of all time, Mozart ever tops lists among performers and audiences alike. (He was even John Cage\u2019s favorite composer.)<\/p>\n<p>P\u00e4rt\u00a0reveres Mozart, referring to him as the greatest of them all, especially when it comes to expressing the wonder of the divine spirit. The Mozart &amp; P\u00e4rt festival, which the <a title=\"Los Angeles Philharmonic\" href=\"http:\/\/www.latimes.com\/topic\/arts-culture\/los-angeles-philharmonic-ORCUL00075-topic.html\">Los Angeles Philharmonic<\/a> began Thursday night with Gustavo Dudamel, is, therefore, seemingly a natural, even though no one else seems to have thought of it before. The orchestra is promoting the two-week festival with a video on its website as a way to get away from it all, leave behind the hurly-burly of L.A. life in the sanctuary of<a title=\"Walt Disney Concert Hall\" href=\"http:\/\/www.latimes.com\/topic\/arts-culture\/walt-disney-concert-hall-PLCUL000241-topic.html\">Walt Disney Concert Hall<\/a>. Even Mayor <a title=\"Eric Garcetti\" href=\"http:\/\/www.latimes.com\/topic\/politics-government\/government\/eric-garcetti-PEPLT007524-topic.html\">Eric Garcetti<\/a> extols L.A. escapism on the video.<\/p>\n<p>I\u2019m sorry to disappoint. Yes, you have to turn your distracting cellphone off in the concert hall. Yes, Dudamel himself may seem like someone in search of immediate spiritual solace. He is just off a rocky ride in Austria, booed at the Vienna State Opera where he conducted \u201cTurandot\u201d and praised for what was reported as a darkly contentious \u201cWest Side Story\u201d with Cecilia Bartoli in Salzburg. Much must furthermore weigh on Dudamel as his native Venezuela descends into economic and political chaos, leaving the fate of hundreds of thousands of El Sistema students uncertain.<\/p>\n<aside class=\"trb_ar_sponsoredmod\" data-adloader-networktype=\"yieldmo\" data-role=\"delayload_item\" data-screen-size=\"mobile\" data-withinviewport-options=\"bottomOffset=100&amp;topOffset=1000000\" data-load-method=\"trb.vendor.yieldmo.init\" data-load-type=\"method\">\n<div id=\"ym_1000015\"><\/div>\n<\/aside>\n<p>And, yes, this is an important festival full of content and meaning that may be lacking in our daily activities. But Thursday\u2019s important concert full of content and meaning, pitting P\u00e4rt&#8217;s merciless \u201cMiserere\u201d with Mozart\u2019s troubling and dispiriting Requiem, left no place for escape. This is music of intense, relentless authority that confronts mortality and of the overwhelming physicality of the world, and Dudamel\u2019s performance had the character of inescapable prophesy. You want peace? A traffic jam later that evening turned the 10, by\u00a0comparison, into a serene freeway.<\/p>\n<p>\u201cMiserere\u201d is both important and disturbing. Written in 1989, it became a key work in the development of P\u00e4rt\u2019s personal style, which the 80-year-old Estonian composer calls &#8220;tintinnabuli.&#8221; At its simplest, this technique mimics the resonance of bells. A melodic line is sheltered by another line that outlines the harmonic spectrum, causing the melody to grow into something more oracular than auricular.<\/p>\n<p>However miraculous, the effect is also natural. This is why an early and simple tintinnabuli piano piece such as \u201cFur Alina\u201d effectively accompanies weddings, funerals and cat videos on YouTube.<\/p>\n<p>In \u201cMiserere,\u201d a stern music for chorus, five vocal soloists and a small ensemble (of winds, brass, electric guitar, electric bass, organ and percussion) proceeds through Psalm 51 a word at a time and note a time. Melodies build very slowly. Accompaniment is gradually added and regularly disappears, leaving us to ponder each note and each word in Latin.<\/p>\n<p>There are chaste consonances that have all the qualities of warmth and comfort, yet so unpolluted are these harmonies that they convey great fragility and unease. (There was much nervous coughing in the hall.) There are also penetrating dissonances, one note pushing against another, that make the whole room vibrate and a listener feel alive and alert. (These produced no nervous coughing.)<\/p>\n<p>And there is shocking anger. Twice P\u00e4rt interrupts \u201cMiserere\u201d with the Dies Irae, the Day of Wrath hymn found in requiem masses and meant to warn the living of the horrors facing sinners. Listen to this on recording (there is an excellent one with the Hilliard Ensemble) and it sounds like distortion. It\u2019s not the recording. The performance in excellent Disney acoustic sung by a rapt Estonian Philharmonic Chamber Choir and Latvian Radio Choir were just as distorted. P\u00e4rt writes the distortion into the music as if to prove nothing remains pure.<\/p>\n<p>Mozart\u2019s Requiem goes down easier but shouldn\u2019t. Its fragility is merely of a different sort. The composer\u2019s last testament, it was left unfinished and no completion \u2014 whether the standard one by Mozart\u2019s pupil, Franz Xaver Sussmayr, or the more recent scholarly ones \u2014 is adequate. The result is also the same. Inspired music loses its inspiration as if death were but a trickling toward\u00a0banality.<\/p>\n<p>Dudamel led \u201cMiserere\u201d pitilessly. He took nothing for granted, refused to soften what is hard and required each sound to undergo the test of time. He gave Mozart\u2019s Requiem operatic expression but again little comfort. Mozart\u2019s Dies Irae needed a rage to match P\u00e4rt, and that meant that everything else had to be raised to that kind of emotional level as well. With P\u00e4rt setting the stage, Dudamel\u2019s grim yet profound acceptance of the implications the Requiem ultimately proved vivid illustration of what made Mozart Mozart, and hence what makes each thing itself.<\/p>\n<p>He had help from the singers. The choruses from P\u00e4rt\u2019s Estonia and from Latvia added a demonstrative emotive aspect to the evening. The commanding, sterling soprano Lucy Crowe dominated the soloist, but not so much as to diminish the excellence of mezzo-soprano Roxana Constantinescu, tenors Paul Appleby and Frederick Ballentine and bass-baritone Luca Pisaroni.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;<\/p>\n<p><strong>Gustavo Dudamel conducts the Los Angeles Philharmonic in P\u00e4rt and Mozart<\/strong><\/p>\n<p>Where: Walt Disney Concert Hall, 111 S. Grand Ave., Los Angeles<\/p>\n<p>When: 8 p.m. Saturday and 2 p.m. Sunday<\/p>\n<p>Tickets: $26.50- $213.50<\/p>\n<p>Info: (323) 850-2000 or <a href=\"http:\/\/www.laphil.org\/\">www.laphil.org<\/a><\/p>\n<p><strong><a href=\"http:\/\/mailto:mark.swed@latimes.com\/\" target=\"_blank\">mark.swed@latimes.com<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>http:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-la-phil-part-mozart-review-20160516-snap-story.html<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Said to be the most performed among today\u2019s living composers, a composer whose music is touched with sonic purity and infused with beguiling spirituality, Arvo P\u00e4rt is revered as an agent of escape. When it comes to the favorite composer of all time, Mozart ever tops lists among performers and audiences alike. (He was even [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-8615","post","type-post","status-publish","format-standard","hentry","category-media"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir\" \/>\n<meta property=\"og:description\" content=\"Said to be the most performed among today\u2019s living composers, a composer whose music is touched with sonic purity and infused with beguiling spirituality, Arvo P\u00e4rt is revered as an agent of escape. When it comes to the favorite composer of all time, Mozart ever tops lists among performers and audiences alike. (He was even [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\" \/>\n<meta property=\"og:site_name\" content=\"Estonian Philharmonic Chamber Choir\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kammerkoor\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-20T14:42:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.epcc.ee\/wp-content\/uploads\/2015\/05\/home_katlas.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"epcc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"epcc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\"},\"author\":{\"name\":\"epcc\",\"@id\":\"https:\/\/www.epcc.ee\/#\/schema\/person\/c7335228c20d567fa07b901fe5ca1e95\"},\"headline\":\"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death\",\"datePublished\":\"2016-05-20T14:42:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\"},\"wordCount\":956,\"publisher\":{\"@id\":\"https:\/\/www.epcc.ee\/#organization\"},\"articleSection\":[\"Media\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\",\"url\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\",\"name\":\"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir\",\"isPartOf\":{\"@id\":\"https:\/\/www.epcc.ee\/#website\"},\"datePublished\":\"2016-05-20T14:42:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.epcc.ee\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.epcc.ee\/#website\",\"url\":\"https:\/\/www.epcc.ee\/\",\"name\":\"Eesti Filharmoonia Kammerkoor\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.epcc.ee\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.epcc.ee\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.epcc.ee\/#organization\",\"name\":\"Eesti Filharmoonia Kammerkoor\",\"url\":\"https:\/\/www.epcc.ee\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.epcc.ee\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.epcc.ee\/wp-content\/uploads\/2020\/10\/EFK-logo-2020-est-RGB-png.png\",\"contentUrl\":\"https:\/\/www.epcc.ee\/wp-content\/uploads\/2020\/10\/EFK-logo-2020-est-RGB-png.png\",\"width\":866,\"height\":247,\"caption\":\"Eesti Filharmoonia Kammerkoor\"},\"image\":{\"@id\":\"https:\/\/www.epcc.ee\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/kammerkoor\/\",\"https:\/\/www.youtube.com\/user\/epccclassics\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.epcc.ee\/#\/schema\/person\/c7335228c20d567fa07b901fe5ca1e95\",\"name\":\"epcc\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.epcc.ee\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/82c79155df3c5b578b02bfa991733320?s=96&d=blank&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/82c79155df3c5b578b02bfa991733320?s=96&d=blank&r=g\",\"caption\":\"epcc\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/","og_locale":"en_US","og_type":"article","og_title":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir","og_description":"Said to be the most performed among today\u2019s living composers, a composer whose music is touched with sonic purity and infused with beguiling spirituality, Arvo P\u00e4rt is revered as an agent of escape. When it comes to the favorite composer of all time, Mozart ever tops lists among performers and audiences alike. (He was even [&hellip;]","og_url":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/","og_site_name":"Estonian Philharmonic Chamber Choir","article_publisher":"https:\/\/www.facebook.com\/kammerkoor\/","article_published_time":"2016-05-20T14:42:09+00:00","og_image":[{"width":1920,"height":720,"url":"https:\/\/www.epcc.ee\/wp-content\/uploads\/2015\/05\/home_katlas.jpg","type":"image\/jpeg"}],"author":"epcc","twitter_card":"summary_large_image","twitter_misc":{"Written by":"epcc","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#article","isPartOf":{"@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/"},"author":{"name":"epcc","@id":"https:\/\/www.epcc.ee\/#\/schema\/person\/c7335228c20d567fa07b901fe5ca1e95"},"headline":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death","datePublished":"2016-05-20T14:42:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/"},"wordCount":956,"publisher":{"@id":"https:\/\/www.epcc.ee\/#organization"},"articleSection":["Media"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/","url":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/","name":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death - Estonian Philharmonic Chamber Choir","isPartOf":{"@id":"https:\/\/www.epcc.ee\/#website"},"datePublished":"2016-05-20T14:42:09+00:00","breadcrumb":{"@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.epcc.ee\/en\/2016\/05\/review-dudamel-makes-mozart-and-arvo-part-a-matter-of-life-and-death\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.epcc.ee\/"},{"@type":"ListItem","position":2,"name":"Review: Dudamel makes Mozart and Arvo P\u00e4rt a matter of life and death"}]},{"@type":"WebSite","@id":"https:\/\/www.epcc.ee\/#website","url":"https:\/\/www.epcc.ee\/","name":"Eesti Filharmoonia Kammerkoor","description":"","publisher":{"@id":"https:\/\/www.epcc.ee\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.epcc.ee\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.epcc.ee\/#organization","name":"Eesti Filharmoonia Kammerkoor","url":"https:\/\/www.epcc.ee\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.epcc.ee\/#\/schema\/logo\/image\/","url":"https:\/\/www.epcc.ee\/wp-content\/uploads\/2020\/10\/EFK-logo-2020-est-RGB-png.png","contentUrl":"https:\/\/www.epcc.ee\/wp-content\/uploads\/2020\/10\/EFK-logo-2020-est-RGB-png.png","width":866,"height":247,"caption":"Eesti Filharmoonia Kammerkoor"},"image":{"@id":"https:\/\/www.epcc.ee\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/kammerkoor\/","https:\/\/www.youtube.com\/user\/epccclassics"]},{"@type":"Person","@id":"https:\/\/www.epcc.ee\/#\/schema\/person\/c7335228c20d567fa07b901fe5ca1e95","name":"epcc","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.epcc.ee\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/82c79155df3c5b578b02bfa991733320?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/82c79155df3c5b578b02bfa991733320?s=96&d=blank&r=g","caption":"epcc"}}]}},"_links":{"self":[{"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/8615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/comments?post=8615"}],"version-history":[{"count":0,"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/8615\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/media?parent=8615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/categories?post=8615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.epcc.ee\/en\/wp-json\/wp\/v2\/tags?post=8615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}