{"id":582,"date":"2008-12-31T00:00:00","date_gmt":"2008-12-31T00:00:00","guid":{"rendered":"http:\/\/www.kuvaja.ee\/projektid\/epcc_web\/?p=news272"},"modified":"2017-05-23T17:39:18","modified_gmt":"2017-05-23T14:39:18","slug":"tulev-songs","status":"publish","type":"post","link":"https:\/\/www.epcc.ee\/en\/2008\/12\/tulev-songs\/","title":{"rendered":"TULEV: SONGS"},"content":{"rendered":"<p><meta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"><\/meta><meta content=\"Word.Document\" name=\"ProgId\"><\/meta><meta content=\"Microsoft Word 11\" name=\"Generator\"><\/meta><meta content=\"Microsoft Word 11\" name=\"Originator\"><\/meta><link rel=\"File-List\" href=\"file:\/\/\/C:\/DOCUME~1\/Kasutaja\/LOCALS~1\/Temp\/msohtml1\/01\/clip_filelist.xml\"><\/link><o:smarttagtype name=\"place\" namespaceuri=\"urn:schemas-microsoft-com:office:smarttags\"><\/o:smarttagtype><o:smarttagtype name=\"City\" namespaceuri=\"urn:schemas-microsoft-com:office:smarttags\"><\/o:smarttagtype><o:smarttagtype name=\"country-region\" namespaceuri=\"urn:schemas-microsoft-com:office:smarttags\"><\/o:smarttagtype><!--[if gte mso 9]><xml>\n <w:WordDocument>\n  <w:View>Normal<\/w:View>\n  <w:Zoom>0<\/w:Zoom>\n  <w:HyphenationZone>21<\/w:HyphenationZone>\n  <w:PunctuationKerning\/>\n  <w:ValidateAgainstSchemas\/>\n  <w:SaveIfXMLInvalid>false<\/w:SaveIfXMLInvalid>\n  <w:IgnoreMixedContent>false<\/w:IgnoreMixedContent>\n  <w:AlwaysShowPlaceholderText>false<\/w:AlwaysShowPlaceholderText>\n  <w:Compatibility>\n   <w:BreakWrappedTables\/>\n   <w:SnapToGridInCell\/>\n   <w:WrapTextWithPunct\/>\n   <w:UseAsianBreakRules\/>\n   <w:DontGrowAutofit\/>\n  <\/w:Compatibility>\n  <w:BrowserLevel>MicrosoftInternetExplorer4<\/w:BrowserLevel>\n <\/w:WordDocument>\n<\/xml><![endif]--><!--[if gte mso 9]><xml>\n <w:LatentStyles DefLockedState=\"false\" LatentStyleCount=\"156\">\n <\/w:LatentStyles>\n<\/xml><![endif]--><!--[if !mso]><object \nclassid=\"clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D\" id=ieooui><\/object>\n\n\n<style>\nst1\\:*{behavior:url(#ieooui) }\n<\/style>\n\n\n<![endif]--><\/p>\n<style><!--\n \/* Font Definitions *\/\n @font-face\n\t{font-family:Verdana;\n\tpanose-1:2 11 6 4 3 5 4 4 2 4;\n\tmso-font-charset:186;\n\tmso-generic-font-family:swiss;\n\tmso-font-pitch:variable;\n\tmso-font-signature:536871559 0 0 0 415 0;}\n@font-face\n\t{font-family:Cambria;\n\tmso-font-alt:\"Calisto MT\";\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\n p.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0cm;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Cambria;\n\tmso-fareast-font-family:Cambria;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-ansi-language:EN-US;\n\tmso-fareast-language:EN-US;}\n@page Section1\n\t{size:612.0pt 792.0pt;\n\tmargin:70.85pt 70.85pt 70.85pt 70.85pt;\n\tmso-header-margin:35.4pt;\n\tmso-footer-margin:35.4pt;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n-->\n<\/style>\n<p><!--[if gte mso 10]>\n\n\n<style>\n \/* Style Definitions *\/\n table.MsoNormalTable\n\t{mso-style-name:\"Table Normal\";\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ansi-language:#0400;\n\tmso-fareast-language:#0400;\n\tmso-bidi-language:#0400;}\n<\/style>\n\n\n<![endif]--><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">TULEV:<br \/>\nSONGS<o:p><\/o:p><\/span> <\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">Blaze;<br \/>\nEstonian Philharmonic Chamber Choir, <st1:city w:st=\"on\"><st1:place w:st=\"on\">Tallinn<\/st1:place><\/st1:city>Chamber Orchestra, Hillier. <o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">Texts<br \/>\nand translations. Harmonia Mundi HMU807452<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/span><o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">For<br \/>\nmost of the Western world, Estonian music starts and ends with Arvo P\u00e4rt (b.<br \/>\n1935), the avatar of &#8220;sacred minimalism,&#8221; whose recordings sell quite<br \/>\nwell, at least by the standards of classical music. But the startling,<br \/>\ninspiring music of Toivo Tulev (b. 1958), who represents the middle generation<br \/>\nof Estonian composers, offers a contrasting view of his country&#8217;s contemporary-music<br \/>\nscene. Tulev&#8217;s music has the soothing, chant-like quality and mystical<br \/>\ndimension of other medieval-influenced contemporary music (such as P\u00e4rt&#8217;s), but<br \/>\nbecause Tulev freely avails himself of the full spectrum of modernist musical<br \/>\nlanguage, he creates an impact that is stimulating rather than merely<br \/>\ntrance-like. Many passages are unearthly in a slightly unsettling, cataclysmic<br \/>\nmanner, reminiscent of Ligeti, Messiaen or Kaija Saariaho. With P\u00e4rt, there are<br \/>\ntimes when you think you might be listening to actual medieval music; by<br \/>\ncontrast, there&#8217;s never any doubt that Tulev is a contemporary composer.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">The<br \/>\neight-movement cycle Songs, for chorus and orchestra, draws its texts from the<br \/>\nBiblical Song of Songs, as well as from two poems by <st1:city w:st=\"on\"><st1:place w:st=\"on\">St. John<\/st1:place><\/st1:city> of the Cross, both in their original<br \/>\nSpanish and in English translation. Imaginatively scored for an orchestra that<br \/>\nincludes two duduks (an oboe-like Armenian instrument), two synthesizers and<br \/>\norgan, along with multiple woodwinds and strings, the piece begins with a soothing,<br \/>\nsustained instrumental melody ascending in the bass. Twenty seconds in,<br \/>\nhowever, there is a startling cascade of sound \u2014 synthesizer, percussion, and<br \/>\nwoodwinds \u2014 effectively serving notice that we should be ready for anything. I<br \/>\nwas hooked from that point on.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">True<br \/>\nto form, Tulev seemed to feel no particular constraints of any sort \u2014 whether<br \/>\nof tradition, tonality, accessibility or form \u2014 in composing Rejoice, Rejoice,<br \/>\nRejoice! for Queen Elizabeth II, in honor of her visit to <st1:country-region w:st=\"on\"><st1:place w:st=\"on\">Estonia<\/st1:place><\/st1:country-region> in<br \/>\n2006. It is both worshipful and uncompromising, with plenty of dense cluster<br \/>\nchords. This piece and Jusquez au Printemps are difficult a cappella works, and<br \/>\nthese successful performances are a triumph for the Estonian Philharmonic<br \/>\nChamber Choir under the leadership of veteran conductor Paul Hillier, whose<br \/>\nexpertise in both early and contemporary music makes him especially well-suited<br \/>\nto this repertoire.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">Leave,<br \/>\nAlas, this Tormenting is a mostly instrumental work for percussion trio, which<br \/>\nfeatures a live soprano soloist (the agile and pure-voiced K\u00e4dy Plaas) plus a<br \/>\nprerecorded, distant-sounding vocal quartet. The piece is spare and ruminative<br \/>\nbut ethereal and haunting when the voices come in about halfway through.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\">Der<br \/>\nHerr ist Mein Getreuer Hirt, two versions of which are included here, shows<br \/>\nthat Tulev can write something simple, tonal and direct but distinctive<br \/>\nnonetheless. The fine British countertenor Robin Blaze is excellent in this<br \/>\nBaroque-style setting, but he seems equally comfortable with the more difficult<br \/>\nmelodic material of the Songs. It&#8217;s good to hear music that has a strong<br \/>\nspiritual content but challenges the ear and pushes the stylistic envelope.<br \/>\nTulev is a composer with something important to say, and I look forward to<br \/>\nhearing more of it.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\" style=\"font-size: 10pt; font-family: Verdana;\"><o:p>&nbsp;<\/o:p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TULEV: SONGS Blaze; Estonian Philharmonic Chamber Choir, TallinnChamber Orchestra, Hillier. Texts and translations. Harmonia Mundi HMU807452 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; For most of the Western world, Estonian music starts and ends with Arvo P\u00e4rt (b. 1935), the avatar of &#8220;sacred minimalism,&#8221; whose recordings sell quite well, at least by the standards of classical music. But the startling, inspiring [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-582","post","type-post","status-publish","format-standard","hentry","category-uudised"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>TULEV: SONGS - Estonian Philharmonic Chamber Choir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.epcc.ee\/en\/2008\/12\/tulev-songs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TULEV: SONGS - Estonian Philharmonic Chamber Choir\" \/>\n<meta property=\"og:description\" content=\"TULEV: SONGS Blaze; Estonian Philharmonic Chamber Choir, TallinnChamber Orchestra, Hillier. 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