{"id":393,"date":"2005-08-19T00:00:00","date_gmt":"2005-08-19T00:00:00","guid":{"rendered":"http:\/\/www.kuvaja.ee\/projektid\/epcc_web\/?p=news83"},"modified":"2017-05-23T17:43:40","modified_gmt":"2017-05-23T14:43:40","slug":"bbc-proms-3","status":"publish","type":"post","link":"https:\/\/www.epcc.ee\/en\/2005\/08\/bbc-proms-3\/","title":{"rendered":"BBC PROMS"},"content":{"rendered":"<p><P class=MsoNormal style=\"MARGIN: 11pt 0in; tab-stops: right 387.0pt\"><B><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Verdana; LETTER-SPACING: 6pt; mso-bidi-font-size: 12.0pt\">&nbsp;<?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\" \/><o:p><\/o:p><\/SPAN><\/B><\/P><br \/>\n<P class=MsoNormal style=\"MARGIN: 11pt 0in; tab-stops: right 387.0pt\"><B><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Verdana; LETTER-SPACING: 6pt; mso-bidi-font-size: 12.0pt\"><o:p><\/o:p><\/SPAN><\/B><\/P><br \/>\n<P class=MsoNormal style=\"MARGIN: 0in 0in 13pt; tab-stops: right 387.0pt\"><B><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt\">Prom 44: Royal Philharmonic \/ Gatti<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>* * * *<BR>Prom 45: Estonian Philharmonic Chamber Choir, Royal Albert Hall, London<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>* * * *<o:p><\/o:p><\/SPAN><\/B><\/P><br \/>\n<P style=\"LINE-HEIGHT: 150%\"><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-GB\">Highly contrasted vocal music dominated the early and late-night Proms on Wednesday.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>The chronology went backwards, from Berg&#8217;s steamy <I>Lulu Suite<\/I> via Mahler to 12th-century a cappella via Arvo P\u00e4rt.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>In the first concert, the Royal Philharmonic Orchestra under its music director, Daniele Gatti, was on splendid form.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>Berg&#8217;s <I>Lulu Suite<\/I> is in fact bleeding chunks in five movements from the opera that Berg left incomplete.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>Christine Sch\u00e4fer dressed for the part &#8211; first in a revealing corset dress as the vampish Lulu, changing to a sleek black number as Lulu&#8217;s dying lover, Countess Geschwitz\u2026<o:p><\/o:p><\/SPAN><\/P><br \/>\n<P style=\"LINE-HEIGHT: 150%\"><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-GB\">The late-night Prom was a guide, homage and progress report on the Estonian composer P\u00e4rt, who turns 70 next month.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>In a programme of Prom premieres, the crack Estonian Philharmonic Chamber Choir under its chief conductor Paul Hillier did the honours.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>P\u00e4rt&#8217;s progress can almost be summed up as a move from black and white to colour.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>P\u00e4rt&#8217;s <I>An den Wassern zu Babel<\/I> (1976) for choir and organ (Christopher Bowers-Broadbent) is mesmeric, repetitious and bleakly coloured.<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>The more recent <I>Nunc dimittis<\/I> (2001) keeps the grail, but <I>Salve regina<\/I> (2002) is technicolour and sugary, austerity virtually abandoned.<\/SPAN><SPAN style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt\"> <o:p><\/o:p><\/SPAN><\/P><br \/>\n<P style=\"LINE-HEIGHT: 150%\"><SPAN style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana\">&nbsp;<o:p><\/o:p><\/SPAN><\/P><br \/>\n<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; tab-stops: right 387.0pt\"><SPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt\">&nbsp;<o:p><\/o:p><\/SPAN><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Prom 44: Royal Philharmonic \/ Gatti&nbsp; * * * *Prom 45: Estonian Philharmonic Chamber Choir, Royal Albert Hall, London&nbsp; * * * * Highly contrasted vocal music dominated the early and late-night Proms on Wednesday.&nbsp; The chronology went backwards, from Berg&#8217;s steamy Lulu Suite via Mahler to 12th-century a cappella via Arvo P\u00e4rt.&nbsp; In [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-393","post","type-post","status-publish","format-standard","hentry","category-uudised"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - 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