{"id":18731,"date":"2021-07-05T13:06:16","date_gmt":"2021-07-05T10:06:16","guid":{"rendered":"https:\/\/www.epcc.ee\/?p=18731"},"modified":"2021-08-24T13:14:47","modified_gmt":"2021-08-24T10:14:47","slug":"le-choc-d-innocence-a-aix-en-provence","status":"publish","type":"post","link":"https:\/\/www.epcc.ee\/en\/2021\/07\/le-choc-d-innocence-a-aix-en-provence\/","title":{"rendered":"Le choc d’\u00ab Innocence \u00bb \u00e0 Aix-en-Provence"},"content":{"rendered":"
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Ev\u00e9nement attendu du festival 2021, la cr\u00e9ation du cinqui\u00e8me op\u00e9ra de la compositrice finlandaise Kaija Saariaho a laiss\u00e9 le public sonn\u00e9. Du livret \u00e0 la mise en sc\u00e8ne, tout promet \u00e0 cette oeuvre sombre et forte un avenir dans les plus grandes salles internationales.<\/p>\n

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\"Le<\/picture><\/div>\n<\/div>
Le metteur en sc\u00e8ne Simon Stone respecte avec bonheur le livret de cet op\u00e9ra sombre et \u00e9mouvant. (\u00a9 Jean-Louis Fernandez)<\/figcaption><\/figure>\n<\/div>\n
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Un triomphe. Etrange r\u00e9action, somme toute, d’un public d’Aix qui remercie une \u00e9quipe artistique de l’avoir \u00e9prouv\u00e9. Le sc\u00e9nario d’ \u00ab\u00a0Innocence\u00a0\u00bb et son traitement musical n’ont en effet rien de distrayant. Le livret de l’\u00e9crivaine finlandaise, Sofi Oksanen (traduite et appr\u00e9ci\u00e9e en France\u00a0: \u00ab\u00a0Purge\u00a0\u00bb, notamment), parfaitement con\u00e7u pour la sc\u00e8ne, met en parall\u00e8le un mariage et un drame survenu dix ans plus t\u00f4t. Un de ceux dont l’actualit\u00e9 r\u00e9cente ou le cin\u00e9ma (\u00ab\u00a0Elephant\u00a0\u00bb de Gus van Sant) se sont fait l’\u00e9cho\u00a0: le souffre-douleur d’une classe en devient le meurtrier. La famille du mari\u00e9 fait tout pour effacer son souvenir mais la pr\u00e9sence fortuite d’une serveuse au banquet va le faire remonter \u00e0 la surface.<\/p>\n

Men\u00e9 comme un thriller, le r\u00e9cit fait se t\u00e9lescoper pass\u00e9 et pr\u00e9sent avec une rare intensit\u00e9 et permet \u00e0 chacun de livrer sa version des faits, questionnant ainsi l’objectivit\u00e9 du regard. Comme pour densifier le propos et enrichir la polyphonie, le livret convoque neuf langues, du fran\u00e7ais au grec, car l’action s’est pass\u00e9e dans un lyc\u00e9e international, et des styles d’expression tr\u00e8s vari\u00e9s, de la m\u00e9lodie au parl\u00e9. Treize chanteurs et acteurs prennent ainsi part \u00e0 cette histoire \u00e0 double parcours qui tient le spectateur en haleine et le saisit d\u00e8s les premi\u00e8res notes, grondement chthonien n\u00e9 des tr\u00e9fonds du piano, du contrebasson et des percussions.<\/p>\n

Raffinement supr\u00eame<\/h3>\n

Une fois de plus, Kaija Saariaho, soixante-huit ans, se distingue par une musique d’un raffinement supr\u00eame, d’une exceptionnelle subtilit\u00e9 dans les alliages de couleurs instrumentales mais aussi dans l’efficacit\u00e9 dramatique. Elle a l’insigne talent de savoir composer une musique indubitablement de son temps qui sait toucher un large public. Sa compatriote Susanna M\u00e4lkki, \u00e0 la t\u00eate de l’Orchestre symphonique de Londres, en magnifie le moindre d\u00e9tail sans jamais perdre le fil directeur. Un plateau vocal impeccable participe \u00e9galement \u00e0 cette \u00e9blouissante r\u00e9ussite musicale. On signalera Magdalena Ko\u017een\u00e1 en serveuse boulevers\u00e9e et obstin\u00e9e et l’\u00e9tonnante Vilma J\u00e4\u00e4, qui interpr\u00e8te sa fille, \u00e0 qui Kaija Saariaho a confi\u00e9 un chant nourri de la tradition populaire finlandaise ou bien encore, Sandrine Piau et Tuomas Pursio, parents du mari\u00e9 qui tentent d\u00e9sesp\u00e9r\u00e9ment d’\u00e9touffer l’affaire.<\/p>\n

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Autre complice de ce triomphe, Simon Stone, qui a \u00e9chou\u00e9 en voulant r\u00e9\u00e9crire \u00ab\u00a0Tristan et Isolde\u00a0\u00bb, quand, dans cette production, il se conforme au livret. Une tournette permet ainsi de voir, au gr\u00e9 de la narration, la salle de banquet, la cuisine, la salle de classe, les couloirs du lyc\u00e9e, dans lesquelles \u00e9voluent des personnages r\u00e9gl\u00e9s au millim\u00e8tre.\u00a0Sombre, pesant, mais profond\u00e9ment \u00e9mouvant, cet op\u00e9ra devrait conna\u00eetre une large diffusion. Esp\u00e9rons que l’Op\u00e9ra de Paris qui, pour la cr\u00e9ation, a eu souvent la main si malheureuse, ne fera pas la sourde oreille.<\/p>\n

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INNOCENCE<\/h3>\n

Festival d’Aix-en-Provence<\/h4>\n

de Kaija Saariaho<\/p>\n

Direction musicale de Susanna M\u00e4lkki. Mise en sc\u00e8ne de Simon Stone.<\/p>\n

A Aix, Grand Th\u00e9\u00e2tre de Provence,\u00a0www.festival-aix.com<\/a><\/p>\n

jusqu’au 12\u00a0juillet.\u00a01\u00a0h\u00a045 sans entracte.<\/p>\n

En direct sur Arte Concert le 10\u00a0juillet.<\/p>\n<\/div>\n<\/div>\n

Philippe Venturini<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ev\u00e9nement attendu du festival 2021, la cr\u00e9ation du cinqui\u00e8me op\u00e9ra de la compositrice finlandaise Kaija Saariaho a laiss\u00e9 le public sonn\u00e9. Du livret \u00e0 la mise en sc\u00e8ne, tout promet \u00e0 cette oeuvre sombre et forte un avenir dans les plus grandes salles internationales.   Le metteur en sc\u00e8ne Simon Stone respecte avec bonheur le […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-18731","post","type-post","status-publish","format-standard","hentry","category-media"],"acf":[],"yoast_head":"\nLe choc d'\u00ab Innocence \u00bb \u00e0 Aix-en-Provence - Estonian Philharmonic Chamber Choir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.epcc.ee\/en\/2021\/07\/le-choc-d-innocence-a-aix-en-provence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le choc d'\u00ab Innocence \u00bb \u00e0 Aix-en-Provence - Estonian Philharmonic Chamber Choir\" \/>\n<meta property=\"og:description\" content=\"Ev\u00e9nement attendu du festival 2021, la cr\u00e9ation du cinqui\u00e8me op\u00e9ra de la compositrice finlandaise Kaija Saariaho a laiss\u00e9 le public sonn\u00e9. 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